This is a good film for all the wrong reasons. Deep down what makes this narrative possible is the most arrogant kind of elitism: reek of multi-lingual superiority and cultural capital. In short, its saccharine narrative of budding homo-sexuality conceals its disgusting moral.
前半真美好 dolce fa niente~ 原来最后一镜是致敬light sleeper 整个片子就跟爸爸形容雕像时说的‘so nonchalant, ageless ambiguity, as if they’re daring you to desire them’ 举重若轻地to speak or to die